Our not-so-healthy fascination with Britney Spears started during the great teen-pop explosion of 1999, when she first emerged as the Lolita of the Mickey Mouse Club. We sent her to the top of the pop charts. Our obsession peaked in 2007 when those heights became too much, and Spears went through The Meltdown By Which All Other Celebrity Meltdowns Shall Be Judged. We sent her to rehab.
Britney Spears's 'Femme Fatale': Less than enthralling pop - Washington Post
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Overflowing with sparkly, sexed-up dance floor razzle- dazzle, these 12 songs would sound perfect in Sin City, that great show-biz retirement home where Spears could elegantly vanish from the paparazzi and the greater pop discourse. Yes, “Femme Fatale” is relentlessly entertaining, but Spears has nothing to do with its charms, somehow sounding more anonymous than she did on her 2008 comeback album, “ Circus .” It might mark the biggest turning point in her career, driving a stake in the fleeting idea that Spears would one day bloom into an actual artist — one with something quasi-meaningful to say about her life, her career, her fame, her struggles, her favorite “ Simpsons ” episode, anything.See good quality elastic tapes manufactured in India.
Instead, the 29-year-old manages to vanish completely from her own album — her vapid lyrical come-ons heavily Auto-Tuned and littered across a handful of exquisite dance tracks built by super-producers Max Martin and Lukasz “Dr. Luke” Gottwald.Here is a elastic tapes company based in India.
Britney Spears's 'Femme Fatale': Less than enthralling pop - Washington Post
